In this feature we speak to workshop facilitator and artist Fergus Berney-Gibson. Fergus explains the difference between word block printing and lino printing, shares the origins of block printing, talks about where he sources his wood, sustainability in art and shares a few of his favourite Sydney-based artists with us.
Hello Fergus!
Hello to you!
We have heard of lino printing, wood block printing not so much! What’s the difference?
Well, woodblock printing actually predates Lino printing – by nearly 2000 years! Originating in China and spreading throughout East Asia, it was the most common form of printing for centuries. Outside of East Asia, it’s often called woodcut — which is a term usually more associated with the use of an actual printing press. Both wood block and Lino are ‘relief’ printing, meaning that anywhere you carve will be negative space, and what remains is the printed image.
Where do you source your wood from for the class?
For this class I’ve worked with Reverse Garbage to obtain reclaimed plywood, which we’ve then cut into workable sizes. Plywood is so ubiquitous and can be used for a variety of creative things past its initial manufacturing purposes. Because it’s comprised of many glued layers of wood, you can cut into the top layer and leave the rest intact, providing a bold print and interesting visual texture.
What’s your favourite part of facilitating a workshop?
If you’ve not made a print before — the reveal of the final print itself is just such a ‘wow’ moment. So I’d say my favourite part is helping folks go through the manual carving and printing process so that they get to say ‘wow’ when they realise they’ve just made something beautiful.
How do you make your art practice more sustainable?
My art practice uses animal skins as the surface for printing. So, when sourcing, I’ll first use reclaimed leathers – often automotive, upholstery, or even cowskin rugs. Printmaking is also a communal art practice, which lends itself to the avoidance of waste. For example, if a mate has leftover ink that might go to waste, they’ll give it to me and vice versa. It’s the same for tools, paper, presses and so on. Having a community means sharing, and sharing means our resources are used more sustainably.
Who are your favourite top three Sydney based artists?
Tricky question! There’s so many gorgeous artists in Sydney.
Maybe keeping with the printmaking theme I’d say:
Bea Buckland-Willis @beadoesntknowwhatshesdoing
Annabelle McEwen @annabelle_mcewen_
Aliki Yiorkas @aliki.y
In this workshop, you’ll learn the fundamental techniques of woodblock printing using repurposed plywood. Woodblock printing (similar to Lino printing) is a super approachable method of making prints with bold and classic results.
With access to a small printmaking press and guidance on hand printing methods for home use, you’ll discover the joy of bringing your hand-carved ideas to life on paper.
No prior woodblock or printmaking experience is needed. Just come ready with a creative outlook, and this workshop will equip you with the skills to craft stunning woodblock prints that leave a lasting impression.